Casualties of War
 Life Through a Lens Spanish Grand PrixCamera model: NIKON D4S | Exposure time: 1/320 s | Aperture: F11 | ISO speed : 200 | Lens: 70-200mm zoom

We didn’t catch the Mercedes collision — Turn 4 is not a usual place for a photographer to stand on the first lap as it’s usually unlikely anything will happen there. The one agency that caught it was doing some work for a sponsor, much like how I got lucky and captured Sebastian Vettel’s engine blowup in Bahrain while doing stuff for DHL — sometimes that’s how it goes. While the race was going I had BBC radio coverage on in my ear and they remarked how sad it was to see the cars sat under covers in parc ferme and so I shot over there as quick as I could.

I think this is a nice image as it’s something different and looks fairly dramatic. I had to get this signed off by the FIA before sending it out because I wasn’t sure if it was actually in parc ferme and an area I’m not allowed to shoot in — I don’t know how it works because I was told it doesn’t become parc ferme until the race finished. Either way, it was a nice shot to get as it was very different to what anyone else got — it has a doomsday feel to it.

Master and Apprentice
Life Through a Lens Spanish Grand Prix 2Camera model: Nikon D4S | Exposure time: 1/320s | Aperture: F6.3 | ISO speed : 400 | Lens: 70-200 Zoom
This was a good shot as it was Dr Helmut Marko who played a big role in Verstappen’s early elevation to Red Bull ahead of the race. I don’t think even Marko would have imagined how it panned out in real life, but this photograph was a bit like master and apprentice celebrating a job well done. Just after this Daniel Ricciardo came over and congratulated Max which was great to see — he was disappointed in how his own race turned out but seemed genuinely pleased for Verstappen. Shooting the first Verstappen-Red Bull celebration felt like the first of many, somehow… I think it’s a sight we’re going to get very used to in the next few years.
Do It Yourself
 Life Through a Lens Spanish Grand Prix 3Camera model: Nikon D5 | Exposure time: 1/1000s | Aperture: F6.3 | ISO speed : 200 | Lens: 500mm Telephoto
This was early in the race and a good example of how it sometimes pays to be in the right place at the right time. I had see the car smoking on the screen in front of me and before I knew it he came round the corner and to a stop just in front of me. After climbing out, Hulkenberg pointed the marshal to go round the back but he went around slowly and didn’t know how to open it. I think Hulkenberg got a bit impatient, grabbed the fire extinguisher off the marshal and initially doused the marshal with it before doing the back of the car. I think the marshals are scared of doing more damage to the car in those moments.

Read more at: Life Through a Lens: Spanish Grand Prix

About Sutton Images:

Long established as the world’s largest independent motorsport picture agency, Sutton Images exclusively concentrates on every aspect of motorsport imagery. With a team of dedicated professionals, offer an extensive range of services from their headquarters situated at the heart of Britain’s motorsport industry, near Silverstone Circuit, England. An archive of over 4 million transparencies, with a searchable on-line digital archive of over 800,000 images, spans the history of motorsport from 1960 through to the present day.

 

Sutton Images en:


Web : http://www.sutton-images.com/

Videos: http://www.sutton-images.com/tv/tvplayer.aspx?c=2

Facebook: http://www.facebook.com/suttonimages

Instagram : http://instagram.com/suttonimages

YouTube Channel : https://www.youtube.com/suttonimages

Sutton Logo 300x300 Mark Sutton Life Through The Lens Spa tacular

GPweek Logo 300x229 Mark Sutton Life Through The Lens Spa tacular

Agradecemos a Mark y Keith Sutton por su colaboración en HolaQueretaro.com