Sparky Red Bull
Camera model: Nikon D5 | Exposure time: 1/15S | Aperture: F13 | ISO speed: 200 | Lens: 500mm Telephoto
We know the sparks are more enhanced due to the night, even though there are floodlights you’re shooting into a darker background. This is actually shot from the end of the pit lane on a long lens, a 500mm lens, next to where the safety car sits. I can go up there and shoot coming down the straight when they’re coming at 200mph so it can be hit and miss but occasionally you can get great shots like this, especially on some of the points where the track isn’t very smooth and they just bottom out.
The Red Bull seemed a lot lower than any of the other cars on its first run, with so many more sparks coming off the back compared to anyone else. That creates some really nice pictures but you have to follow them down the shot — the reason it is blurred because you’re shooting at a slow speed which enhances the spark. I probably shot about two or three thousand shots of every car down that straight and the Red Bull was by far the most spectacular.
Camera model: Nikon D5 | Exposure time: 1/1000s | Aperture: F5.6 | ISO speed : 3200 | Lens: 70-200 Zoom
This was probably the most important moment of the weekend. As usual, we had a lot of photographers at the event so we were placed at various places around the track. I decided to do all the warm-up preparations on the grid and then wander out to this corner, thinking I’ll do the three-quarter shot on the formation lap — they don’t always weave down the straight so I thought I could get some nice group stuff in ahead of the first lap itself, when the field can be a bit more spread out. As I’m shooting, Sebastian Vettel’s car exploded as he came into the corner. I managed to shoot him from just after the engine went all the way around the corner. Once he had gone thought I better send that back to the office immediately as it was a massive moment in the race and in the season, given the fact they only have five engines for the whole campaign and it suddenly made Mercedes’ evening much easier.
The Champ Is Here
Camera model: Nikon D4S | Exposure time: 1/320s | Aperture: F18 | ISO speed : 400 | Lens: 70-200mm Zoom
I saw Lewis Hamilton coming into the paddock on Friday before FP1. He was talking to his trainer and then picked up his phone and started to film for Snapchat. He actually got told off for doing this as he was warned about it in Australia — FOM is very strict on filming in the paddock and those rules apply for everyone, even a three-time world champion. Lewis actually tried to get this shot twice and I thought I would get behind him rather than join the crowd of photographers, capture a shot within a shot if you like. It just looks nice and shows the sort of attention a driver like Hamilton gets when he arrives in the paddock. Personally I think FOM would be wise to lower those restrictions on drivers filming in the paddock, you just need to look at the followers Hamilton has on Twitter, Instagram and Snapchat to understand how it could help increase interest in the sport.
Read more at: Life Through a Lens: Bahrain Grand Prix
About Sutton Images:
Long established as the world’s largest independent motorsport picture agency, Sutton Images exclusively concentrates on every aspect of motorsport imagery. With a team of dedicated professionals, offer an extensive range of services from their headquarters situated at the heart of Britain’s motorsport industry, near Silverstone Circuit, England. An archive of over 4 million transparencies, with a searchable on-line digital archive of over 800,000 images, spans the history of motorsport from 1960 through to the present day.
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Agradecemos a Mark y Keith Sutton por su colaboración en HolaQueretaro.com